Giovanni Battista Rubini (April 7, 1794 - March 3, 1854) was an Italian tenor, as famous in his time as Enrico Caruso in a later day. His ringing and expressive coloratura dexterity in the highest register of his voice, the tenorino, inspired the writing of operatic roles which today are almost impossible to cast. As a singer Rubini was the major early exponent of the Romantic style of Vincenzo Bellini and Gaetano Donizetti.
Rubini is remembered as an extraordinary bel canto singer, one of the most famous singers in Europe in the 1830s and 40s.[1] He also popularized the use of a pervasive vibrato as a means of heightening the emotional impact of his operatic performances (see Michael Scott's The Record of Singing for a discussion of Rubini's influence on subsequent tenors).
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Born in Romano di Lombardia, Rubini began as a violinist at twelve years of age at the Teatro Riccardi in Bergamo. His first appearance as singer was 1814 in Pavia in Le lagrime d'una vedova by Pietro Generali.
After ten years spent in Naples, 1815-31, during which he also scored spectacular successes in France in the season of 1825/26, in Rossini operas, he moved permanently to Paris, performing in Rossini's La Cenerentola, Otello, and La donna del lago and dividing his time between Paris (autumn and winter) and London (spring).
His special relation with Vincenzo Bellini began with Bianca e Gernando (1826) and continued until I puritani (1835), when he was one of the long-remembered "Puritani quartet" for whose voices the opera was written. The three other members of the illustrious quartet were Giulia Grisi, Antonio Tamburini and Luigi Lablache, The four appeared together again in Donizetti's Marino Faliero during the same season, then travelled to London with the Irish composer Michael William Balfe for a further round of operatic engagements.
Rubini was admitted as an honorary member of the Accademia Filarmonica di Bologna and retired with a great fortune in 1845. He died in his hometown of Romano in 1854, and is buried in the cemetery there, within a large marble monument.